What is the last line of Jean-Paul Sartre’s play No Exit (1944)?
“Well, let’s get on with it. . . .” is the last line of Jean-Paul Sartre’s play No Exit.
It is spoken by Garcia when he realizes he is facing eternity.
“Well, let’s get on with it. . . .” is the last line of Jean-Paul Sartre’s play No Exit.
It is spoken by Garcia when he realizes he is facing eternity.
“Stella” was Esther Johnson, a woman Swift once tutored at the household of Sir William Temple in England. Swift’s letters to Johnson and her companion Rebecca Dingley, written from 1710 to 1713, are known as Journal to Stella.
Chaucer’s pilgrims are going to Canterbury Cathedral to visit the shrine of Thomas a Becket, former archbishop of Canterbury. Becket had been assassinated in the cathedral in 1170, following a political disagreement with King Henry II. Pilgrimage to the shrine was a popular journey at the time the Tales were written (c. 1387-1400).
Shamela’s last name in Henry Fielding’s parody Shamela was also Andrews. The name was used a third time in Fielding’s Joseph Andrews (1742), the story of Pamela’s brother, Joseph.
The Angry Young Men were a group of British playwrights and novelists in the 1950s, including John Osborne, Kingsley Amis, and Alan Sillitoe. Their politics were left-wing; their favorite theme was alienation.
Three novels comprise John Galsworthy’s The Forsyte Saga: 1. The Man of Property (1906) 2. In Chancery (1920) 3. To Let (1921) and two “interludes”: 1. Indian Summer of a Forsyte (1922) 2. Awakenings (1922)
The rest of the nursery rhyme from which Ken Kesey took the title for his novel One Flew Over the Cuckoo’s Nest is: Wire, briar, limber, lock, Three geese in a flock, One flew East, one flew West, One flew over the cuckoo’s nest.