What is the last line of Jean-Paul Sartre’s play No Exit (1944)?
“Well, let’s get on with it. . . .” is the last line of Jean-Paul Sartre’s play No Exit.
It is spoken by Garcia when he realizes he is facing eternity.
“Well, let’s get on with it. . . .” is the last line of Jean-Paul Sartre’s play No Exit.
It is spoken by Garcia when he realizes he is facing eternity.
Robert Graves wrote one sequel to I, Claudius, Claudius the God, published in 1934. It charts Claudius’s rule from 41 A.D. until his poisoning by his wife Agrippina in 54 A.D.
The subtitle of Melville’s short story “Bartle by the Scrivener” is “A Story of Wall Street.”
Famed for her shrewishness, the wife of the fifth-century B.C. Athenian philosopher Socrates was named Xantippe.
Four main collections of English mystery plays based on biblical episodes survive: The York Cycle (early fourteenth century), forty-eight plays The Towneley Cycle (mid-fourteenth—early fifteenth century), thirty-two plays The Chester Cycle (fourteenth century), twenty-four plays The Coventry (or N Town) Cycle (fifteenth century), forty-three plays
The retarded narrator of the first section of the Faulkner’s novel The Sound and the Fury is thirty-three years old. Faulkner asked that Benjy’s stream of consciousness be printed in eight different colors of type to better express the layers of Benjy’s memory. The request was not granted.
The first book printed in English is The Recuyell of the Historyes of Troye, a prose romance by Raoul Lefevre, printed by William Caxton in 1474 in Bruges, Belgium. Caxton himself translated it from the French. Caxton also printed the first dated book printed in English, Dictes and Sayenges of the Phylosophers, published on November…